The new film by Guillermo Francella<\/strong>, Homo Argentum<\/em><\/strong>, is a phenomenon in theaters. With its 16 stories and a portrait of our culture that is as sharp as it is humorous, the film by Cohn<\/strong> and Duprat<\/strong> became one of the great successes of Argentinian cinema in recent years.<\/p><\/p>\n What not many know is that, behind the magic of the big screen, virtual production played a key role. At Cacodelphia Studios<\/strong>, we had the challenge of participating in this high-caliber production. The goal? To recreate with total precision the imposing Sal\u00f3n Blanco de la Casa Rosada<\/strong>.<\/p><\/p>\n The Sal\u00f3n Blanco<\/strong> is not just a set; it's a symbol of Argentinian history. Its architecture, lighting, and details are recognizable to everyone. But filming at the real location can become a logistical nightmare: permits, security, actors' time. A complication that can delay a project for weeks.<\/p><\/p>\n <\/p>\nShooting at the Casa Rosada? Better in a Virtual Studio<\/h3>\n
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